February 28, 2012
Youth Movements
· Tapestry weaving hand printing, building things.
· Glasgow, Art Nouveau
· Roller, 1903. – psychedelic font.
o You don’t want to read the font. People are challenging the readability and eligibility of text.
· Riffing, trying to be new, at the forefront
· Motifs, pushing ideas, modern poster style
· Peter Behrens – down the road he is going to change the landscape for commercial art and graphic design. Becomes the design consultant AEG, german power company. First person to experiment with running serif/sans serif type.
o Early advocate sans serif type.
o First comprehensive identity package.
o He pioneers the idea of load bearing.
o 1904 - Becomes influenced by a new professor. New professor was obsessed with geometric proportions.
o 1906 – peter designs Linoleum Pavilion
o 1907 – Peter is hired by AEG
o 1908 – files copyright for a logo
o Comes up with the idea that in an identity there should be a consistent logo, consistent typeface and layout system.
o Electric company was where to buy appliances. Peter came up with mix-and-match interchangeable parts.
o Turbine hall, form is following the function, the building reflects what the thing is inside of it.
o 1890 – first electric railroad carts in London
Lucian Bernhard
· Paints an ashtray, cigar, matches, etc, but then paints out everything except the matches and the name.
· Commercial artist. Imitated by other people.
· Abstraction
· Thought art should not be a theory.
· Plakatstil – poster paint. Recruiting poster for German.
· Kriegsanleihe – 8th bond drive. Propaganda poster. Sophisticated, not literal
· Axis Powers posters – stunning, meaningful, graphic, abstract, got to think.
· Allies Powers posters – Uncle Sam, riffing on a British poster. More about illustration, and easy to read and understand.
· WWI – first mechanized war. Start – Art Nouveau. End – Bauhaus.
Ludwig Hohlwein
· Masterful designer.
· Reputation tarnished because of ally with the Germans.
· Hitler thinks that the Axis posters were bad, thought that the Allies posters were better. He thought that posters should be able to be read by stupid people.
· Dramatic lighting.
· Cubism, generous use of negative space. Influences of modern art.
· Edward McKnight Crawford – made the “underground winter” poster.
· A.M. Cassander – 1901-1968.
o Poster of the telegraph – geometric and abstract.
o Most known for travel posters now.
o Very sophisticated, abstract languages to communicate ideas.
o Wagon Bar – figure/ground. Cubism.
Suprematism
· Influenced by futurism
· Is about art, for art’s sake. About emotion. Pure feeling.
· Rejects utilitarian function. Also rejects pictorial representation.
· Art is a cereal box. Art is function.
· Russian avante garde (front guard)
· Tatlin, Rodscenko, Lissitzky
2. Personal Thoughts
I thought that today's lesson was very interesting. It was cool looking at the posters during WWI. Weird to think that the Germans had amazing designs that made you think, and the Americans had kind of boring compositions. Then again, Hitler was an artist so it makes sense. I really like how they would take these patterns, that by themselves are quit boring or ugly, and place them with another pattern and a flat color and make it look awesome.
